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Delia Magaña est une Actrice Mexicaine née le 2 février 1903 à Mexico (Mexique)

Delia Magaña

Delia Magaña
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Nom de naissance Gudelia Flores Magaña
Nationalité Mexique
Naissance 2 février 1903 à Mexico (Mexique)
Mort 31 mars 1996 (à 93 ans) à Mexico (Mexique)

Delia Magaña (February 2, 1903 – March 31, 1996) was a Mexican film and television actress, singer, and dancer. Although she started as a silent film actress, Magaña became best known for her comic supporting roles in her later years. For her 60 years in the film industry, as well as for contributing to the American cinema, Magaña's name and hand print are preserved in the sidewalk outside Mann's Chinese Theater in Hollywood, California.

Le plus souvent avec

Ismael Rodríguez
Ismael Rodríguez
(3 films)
José Bohr
José Bohr
(2 films)
Miguel Inclán
Miguel Inclán
(5 films)
Sara García
Sara García
(3 films)
Jaime Jiménez Pons
Jaime Jiménez Pons
(3 films)
Source : Wikidata

Filmographie de Delia Magaña (23 films)

Afficher la filmographie sous forme de liste

Actrice

Satanico Pandemonium: La Sexorcista
Satanico Pandemonium: La Sexorcista (1975)
, 1h27
Réalisé par Gilberto Martínez Solares
Genres Thriller, Horreur
Thèmes Religion, Sexualité, Bisexualité, Erotique, Sexploitation, Homosexualité, LGBT, LGBT
Acteurs Delia Magaña, Enrique Rocha
Rôle Mother Superior
Note61% 3.058893.058893.058893.058893.05889
Sœur Marie est considérée comme la plus pure et la plus vertueuses des nonnes du couvent. Mais, un jour, elle rencontre sur sa route un bien étrange berger qui éveille en elle des désirs et pulsions qu’elle aura bien du mal à contrôler…
Sor Ye-yé
Sor Ye-yé (1968)

Genres Comédie, Musical
Acteurs Enrique Guzmán, Sara García, Manuel Gil, Lina Canalejas, Norma Mora, Fanny Schiller
Rôle Monja sorda
Note60% 3.039123.039123.039123.039123.03912
María (Hilda Aguirre) is a young orfant woman who lives with her wealthy aunt (Margot Cottens). María uses to sing in a night club along with her friends (who have a rock band named "Los Yakis Voladores"), and enjoys the night with them. One of her friends, Ernesto (Enrique Guzmán), is in love with her, although she doesn't seem to share the same feelings towards him. In fact, her multiple existential questions and a strange emptyness she feels in her life make her suddenly decide entering in a convent as a novice, breaking Ernesto's heart. However, with her happy, open and rebel nature, she doesn't seem to accustom herself to the life at the convent, and she has bigger problems with the novice headmistress, who uses to chastise her trying to lead her in the right direction. At the convent, which also works as a hospital for children, she meets a doctor (Manuel Gil) and she doesn't along with him because of the contrast between their personalities, although they have a mutual liking and respect in their own way.
Los chiflados del rock and roll
Los chiflados del rock and roll (1957)
, 1h20
Réalisé par José Díaz Morales
Genres Comédie, Musical, Romance
Thèmes Musique
Acteurs Agustín Lara, Pedro Vargas, Rosita Arenas, Eulalio González, Delia Magaña, Arturo Castro
Rôle Clara
Note61% 3.086653.086653.086653.086653.08665
Luis, Agustín, Pedro, Ana, and Clara, the five owners of the Los Bohemios cabaret, eventually fall into debt after Agustín spends most of their money on a costly inauguration. Without the funds to repay the debt, Luis and his business partners decide to seek monetary help from his uncle Apolonio Aguilar, an eccentric millionaire rancher, who lives in San Miguel el Alto. When they travel to ask Apolonio to lend them the money, he denies and lies, saying that his millions were swindled from him. Though Apolonio is reluctant to lend money to Luis, he sees his nephew as a potential husband for his tough, orphaned goddaughter Paloma who, in fact, falls in love with Luis. Luis, already in a relationship with Ana, decides to obtain the money from Paloma by inviting her to become a partner of the cabaret, which she misinterprets, believing that he is proposing marriage to her. Paloma accepts and becomes one of the principal performers of the cabaret, showcased as a ranchera singer. Once she discovers that Luis is already romantically involved with Ana (though actually they had broken their relationship shortly before), Paloma becomes disillusioned of Luis and decides to leave the cabaret and travel back to San Miguel el Alto, where she finds Luis, who eventually recognizes his love for her.
Nous les pauvres
Nous les pauvres (1948)
, 2h8
Réalisé par Ismael Rodríguez
Genres Drame
Thèmes Maladie, Psychotrope
Acteurs Pedro Infante, Evita Muñoz "Chachita", Carmen Montejo, Blanca Estela Pavón, Rafael Storm, Miguel Inclán
Rôle La Tostada
Note77% 3.8944453.8944453.8944453.8944453.894445
L'humble charpentier Pepe "El Toro" vit les joies et les peines de la pauvreté avec sa fille Chachita, sa mère paralysée et sa petite amie Celia "La Chorreada". Aidé par un groupe haut en couleur de voisins et d'amis, Pepe et sa famille vont mener une lutte ardue contre l'injustice lorsqu'il est accusé d'un meurtre qu'il n'a pas commis.
Ustedes, los Ricos
Ustedes, los Ricos (1948)
, 2h10
Réalisé par Ismael Rodríguez
Genres Drame
Acteurs Pedro Infante, Evita Muñoz "Chachita", Blanca Estela Pavón, Delia Magaña, Jaime Jiménez Pons, Ismael Rodríguez
Rôle La Tostada
Note75% 3.776523.776523.776523.776523.77652
Pepe rencontre Manuel, le vrai père de Chachita, qui l'attire chez lui avec de l'argent et menace Pepe. El Tuerto s'échappe de prison et, pour se venger de Pepe, provoque une explosion où El Torito, le fils de Pepe, et Manuel meurent, sauvant Chachita des flammes.