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Joshy Mathew est un Acteur et Réalisateur Indien

Joshy Mathew

Joshy Mathew
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Nom de naissance Joshy
Nationalité Inde

Joshy Mathew, an Indian film director in Malayalam cinema, started his career in 1984 as an assistant to renowned director to P. Padmarajan. In 1992 he made feature debut with Nakshatra Koodaram (1992). Then followed Oru Kadankatha Pole (1993), Rajadhani (1994), Man of the Match (1996), Pathaam Nilayile Theevandy (Train in the 10th Floor)(2009), Upadesiyude Makan (2010) and Black Forest (2013).

Joshy Mathew is a Vice Chairman of the K.R. Narayanan National Institute of Visual Science and Arts.

Le plus souvent avec

Nedumudi Venu
Nedumudi Venu
(3 films)
Innocent
Innocent
(4 films)
Geetha
Geetha
(2 films)
B. Lenin
B. Lenin
(2 films)
Source : Wikidata

Filmographie de Joshy Mathew (5 films)

Afficher la filmographie sous forme de liste

Acteur

മുന്നറിയിപ്പ്, 1h55
Genres Drame, Thriller
Acteurs Mammootty, Aparna Gopinath, Nedumudi Venu, Prithviraj Sukumaran, Joy Mathew, Pratap K. Pothen
Rôle Bar-mate
Note77% 3.8963.8963.8963.8963.896
Anjali Arakkal,a freelance journalist,while interacting with a retiring jail superintendent (Nedumudi Venu) meets C R Raghavan (Mammootty) who even after completing his 20 year term in jail still prefers to continue there.She had came to write the officer’s autobiography,but instead finds Raghavan’s life an interesting one.Becoming a mystery for Anjali,Raghavan was tried for killing his wife and the daughter of his employee,But claims of his innocence every now and then.

Réalisateur

Patham Nilayile Theevandi
Réalisé par Joshy Mathew
Genres Drame
Acteurs Jayasurya, Meera Nandan, Innocent, Vijayaraghavan, Anoop Menon, Jagannathan
Note66% 3.3303653.3303653.3303653.3303653.330365
The film tells the story of Sankara Narayanan, a 55-year-old gangman from the Indian Railways. From his teenage days onward he was afraid of the strange voices that talked to him incessantly. To escape the fear, he seeks refuge in alcohol, alienating himself from his family and ending up in an asylum. His son Ramu could never sympathise with a father who had shirked his responsibility as a husband and a father. But Narayanan starts writing letters from the asylum, to which Ramu doesn’t even bother to reply. A young doctor tries to help Sankara Narayanan, for he knows that he can be cured. The doctor not only intends to reunite Narayanan with his family but also has something very important to reveal to Ramu.