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অসুখ est un film de genre Drame réalisé par Rituparno Gosh avec Soumitra Chatterjee
অসুখ (1999)
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Ajouter à une liste de filmsAsukh, pronounced Ashukh is a 1999 Indian Bengali feature film directed by Rituparno Ghosh.
Synopsis
The film is about the schism between a film star daughter, Rohini (Debashree Roy) and her father Sudhamoy (Soumitra Chatterjee), who is unwilling but forced to depend on his daughter's earnings. The narrative revolves around the sudden illness of Rohini's mother (Gouri Ghosh) who has to be hospitalized. No one knows what she is suffering from. The physical illness sets off a chain of events in Rohini's life that includes her relationship with her father.Acteurs
Soumitra Chatterjee
(Sudhamoy Choudhury (Rohini's father))
Debashree Roy
(Rohini Choudhury)
Arpita Chatterjee
Silajit Majumder
Shankar Chakraborty
(Shankar Sengupta)
Aparna Sen
(Recitation (voice))
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Suggestions de films similaires à অসুখ
Il y a 155 films ayant les mêmes acteurs, 21 films avec le même réalisateur, 61567 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé অসুখ, vous aimerez sûrement les films similaires suivants :
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Note75%
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Note54%
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Note59%
Maharaja Arunangshu, the ruler of a princely state named Balabantpur, had made a wish list on his death bed in the presence of Dewan Chandrashekhar, the family physician Kaligati and the High Priest. It laid down certain conditions under which his son Himangshu could inherit the kingdom. The first condition forbade Himangshu to marry a non-Hindu girl, and the second demanded a legitimate heir within three years of his marriage. Bound by his father's conditions of succession, Himangshu is compelled to marry Alaka, an aspiring actress. A year and half into the marriage, Harinath, the young palace librarian, who is friendly with Alaka, disappears without any trace. This mystery occasions the arrival of the sleuth Byomkesh and his author friend Ajit to Balabantpur. The visit, however, is under the pretext of an invitation to take part in a hunting expedition. In the course of their stay, they unravel many secrets involving the residents of the palace and also about the topography of Balabantpur. Byomkesh is particularly intrigued by the character of Kaligati, the royal physician, and uncovers several clues which connect Kaligati with the disappearance of Harinath. It is discovered that Alaka is sexually frigid. But she was anxious to continue the bloodline of Himangshu. Not getting any sexual pleasure from his wife, Himangshu was attracted towards Leela, the daughter of Kaligati. On a previous hunting expedition Alaka had sent Leela with Himanghshu instead of herself accompanying him. Thus Leela became pregnant with his child. But Harinath the librarian loved Leela and wanted to marry her despite knowing she was carrying Himangshu's child. Kaligati found this inconvenient as Leela's son would then be officially known as Harinath's son and not Himangshu's. Kaligati wanted to be the grandfather of the royal offspring. Thus he orchestrated Harinath's drowning in quicksand on the night when he discovered Harinath had married Leela. The ensuing story revolves around the detective's unveiling of Kaligati as the culprit behind the mystery of Balabantpur.
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Note71%
Au Bengale au XIXe siècle. Bhubaneshwar Chaudhary est un zamindar (propriétaire terrien) riche et autoritaire. Désireux d'occuper la première place, tant aux yeux de ses voisins que du colon britannique, il veut faire réaliser une sculpture de la déesse Durga ayant les traits de la reine Victoria. Aucun bengali n'acceptant cette commande, il engage un sculpteur bihari, Brij Bhushan. D'autre part, il souhaite désespérément avoir un héritier et, rendant son épouse responsable de cet échec, il se marie avec une jeune femme, Jashomati, qu'il harcèle sexuellement sans plus de résultat. Cette dernière, traumatisée par les assauts répétés de son mari et par la compétition qui s'installe entre les deux épouses, s'attache de plus en plus à Brij Bhushan.
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Note75%
This cinema is based on a story of same name by Sirshendu Mukhopadhyay.
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Bariwali (2000)
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Note75%
The film is a quiet drama about a lonely, sad, unfortunate middle-aged woman. Banalata (Kiron Kher) has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production unit to shoot in a wing in her sprawling estate. Suddenly her house is filled with movie stars and glamorous people, including the beautiful actress Sudeshna (Rupa Ganguly) and charming director Deepankar (Chiranjeet Chakraborty). Though she knows that not only is Deepankar married but that his former lover Sudeshna still holds a torch for him, the lonely widow finds herself drawn to the director. He is exactly the sort of worldly character whom she has always longed to meet. The rakish man flirts back and even persuades Banalata to appear in a bit part in the movie. Yet once the film crew decamps, things at the estate return to the same grinding tedium as before, though the woman feels her isolation all the more acutely. The letters that Banalata writes to Deepankar go unanswered, and her bit part in the movie ends up on the cutting-room floor.
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Réalisé par Rituparno Gosh
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Note77%
The story develops around the evolution of Titli from a girl into womanhood, through the breaking of this crush. The dense jungles of Duars in north Bengal, covered in dense morning fog, sunshine playing hide-and-seek, Buddhist monasteries, the famous Darjeeling toy train, interleaved with poetry and music, create the romantic ambiance underpinning this film.