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Suggestions de films similaires à இரத்தத்திலகம்
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இரத்தத்திலகம்), pour avoir au final
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Genres DrameActeurs Sivaji Ganesan,
Kommareddy Savitri,
Nagesh,
Aachi Manorama,
Manorama,
V K RamasamyNote76%
The film opens with the narrator explaining that there are nine types of human behaviors (Navarasam) such as Wonder (அற்புதம்), Fear (பயம்), Compassion (கருணை), Anger (கோபம்), Equanimity (சாந்தம்), Disgust (அருவருப்பு), Elegance (சிங்காரம்), Bravery (வீரம்) and Bliss (ஆனந்தம்) and that Sivaji Ganesan's nine roles represents one character per role. , 2h35
Genres FantasyThèmes Danse,
Mythologie,
Religion,
Politique,
RoyautéActeurs Sivaji Ganesan,
R. Muthuraman,
Kommareddy Savitri,
Nagesh,
Aachi Manorama,
K.B.SundarambalNote80%
Lord Shiva gives a sacred fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition to win it. Angered by his father's decision, Muruga, dressed as a hermit, goes to Palani, despite Avvaiyar's attempts to convince him to return to Mount Kailash. His mother, goddess Parvati, arrives there and narrates the stories of four of Shiva's divine games to calm Muruga., 2h46
Genres Drame,
Musical,
RomanceThèmes Danse,
MusiqueActeurs Sivaji Ganesan,
Padmini Ramachandran,
Chittor V. Nagaiah,
S. Balaiah,
Aachi Manorama,
NageshNote75%
"Sikkal" Shanmugasundaram (Sundaram) (Sivaji Ganesan) is a devoted Nadaswaram player, but is short-tempered and sensitive. He meets Mohanambal (Mohana) (Padmini), a Bharatnatyam dancer, and they fall in love with each other. Sundaram's ego prevents him from developing his relationship with Mohanambal, who asks him to play a Thillana on his Nadaswaram while she dances. Mohanambal's mother Vadivambal (C. K. Saraswathi), an influential and mercenary woman, wants her daughter to marry a wealthy man so that she can settle down in life properly. Blinded by love, she disobeys her mother, creating a rift between them. Unaware of her feelings, Sundaram decides to leave the country along with Karuppayi (Manorama), a folk dancer whom he considers to be his sister. Mohana calls him a coward and challenges him to stay, which he readily accepts. In a temple, Sundaram plays the Thillana and Mohana dances. Sundaram, impressed with Mohana's performance, crowns her the title "Thillana Mohanambal". Suddenly Nagalingam (E. R. Sahadevan), a landlord who wanted to marry Mohana, turns up to stab Sundaram with a poisoned knife out of jealousy. He came to the temple to kill Mohana.Réalisé par A. C. TirulokachandarGenres Drame,
RomanceActeurs Sivaji Ganesan,
Padmini Ramachandran,
K. R. Vijaya,
Chittor V. Nagaiah,
Nagesh,
Aachi ManoramaNote65%
Sundar (Sivaji Ganesan) and Uma (Padmini) are classmates who fight often. Sundar, however, is very much in love with Uma, and when they perform in a dance drama competition at Madurai, and later move on to Kodaikanal, he expresses this love. Uma asks him to climb up a peak so that she will consider him as a suitor. Sundar suffers from Acrophobia and almost falls while climbing, at which point Uma accepts his love. , 2h28
Genres ComédieActeurs Sivaji Ganesan,
Nagesh,
Aachi Manorama,
Jayalalithaa,
Cho Ramaswamy,
Jyothi LakshmiNote78%
Madan (Sivaji Ganesan) and Lalitha (Jayalalitha) are in love with each other. She is the second daughter of a businessman, Dharmalingam (Thangavelu). While seeking her hand in marriage, Dharmalingam lays down a condition that all his daughters’ weddings are to be held simultaneously thereby entrusting Madan with the unenviable task of finding suitable grooms for his other daughters. Madan seeks the help of his friend, Chandran (Nagesh) in his mission. Madan, however, soon realizes that he has a Herculean task ahead of him – the eldest daughter Rathna (Manorama) is averse to getting married. The others have their own tastes and preferences. After encountering a lot of difficulties, they manage to find grooms for all of them., 2h28
Genres FantasyThèmes Mythologie,
ReligionActeurs Sivaji Ganesan,
Devika,
Padmini Ramachandran,
K. R. Vijaya,
Gemini Ganesan,
Aachi ManoramaNote72%
Saraswati Sabatham tells the story of a dispute between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati (Savitri), the Goddess of knowledge, and purposely annoys Her by saying that wealth is more important and abundant. Saraswati angrily said that She will prove that Her power, knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi (Devika), the Goddess of wealth, and also annoys Her by saying that education is more abundant and is the best. Lakshmi also retorted that She will prove that Her power of wealth is more important. Narada finally goes to Mount Kailas, seeking Parvati(Padmini), the goddess of power and strength and annoys Her too, saying that wealth and knowledge is more important. Parvati too stressed that She will prove that Her power of strength is more important.