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Aghaat est un film de genre Policier réalisé par Govind Nihalani avec Naseeruddin Shah

Aghaat (1985)

Aghaat
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Réalisé par
Genres Policier
Note75% 3.7847953.7847953.7847953.7847953.784795

Aaghat is a 1985 Bollywood movie directed by Govind Nihalani and produced by Manmohan Shetty under the banner Neo Films Association. It stars Om Puri, Naseeruddin Shah and Bharath Gopi in lead roles while Amrish Puri, Pankaj Kapoor and Deepa Sahi and Sarika in supporting roles.

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Suggestions de films similaires à Aghaat

Il y a 498 films ayant les mêmes acteurs, 14 films avec le même réalisateur, 13729 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship.
Aakrosh
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Bhiku Lahaniya (Om Puri), un adivasi travaillant dans une exploitation forestière du Maharashtra, est accusé d'avoir assassiné sa femme. Il est défendu par un jeune avocat brahmane, Bhaskar Kulkarni (Naseeruddin Shah), dont c'est le premier procès. Bhaskar a pour adversaire le procureur Dushane (Amrish Puri), son mentor et ami, qui est également un adivasi. Certain de la culpabilité de son client, qui refuse de lui adresser la parole, Bhaskar ne mène d'abord son enquête que par conscience professionnelle. Il se heurte d'une part au silence de la famille de Bhiku, d'autre part à l'opposition des notables de la ville, qui se font rapidement menaçants, et est peu à peu amené à douter de la culpabilité de son client.
Drohkaal
Drohkaal (1994)

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Indian cities are being terrorized by a group of people who want the government to give in to their demands and are willing to go to any extent for that purpose. Honest, experienced and diligent cops Abhay Singh (Om Puri) and Abbas Lodhi (Naseeruddin Shah) are part of the anti terrorism task force set up by the government to eliminate the menace.
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Dans la mafia de Bombay, Maqbool (Irrfan Khan) est un des hommes les plus fidèles au chef, Abbaji (Pankaj Kapur). Cependant, cette loyauté cache un amour du pouvoir mais également un amour pour la maîtresse de celui-ci, Nimmi (Tabu). Cette dernière le suppliant de prendre le pouvoir de la mafia et ainsi, être également libre d'avoir une relation avec elle, il va comploter et réussir le meurtre d'Abbaji à l'aide de sa secrète amante. Cependant, le remords va vite suivre, ainsi qu'un lent chemin vers la folie.
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Deux photographes professionnels sans clients, Vinod Chopra (Naseeruddin Shah) et Sudhir Mishra (Ravi Baswani) se voient confier un reportage par l'éditrice du magazine «Khabardar», Shoba Sen. Il s'agit d'enquêter sur les accords illégaux conclus entre un entrepreneur immobilier, Tarneja, et un fonctionnaire municipal, D'Mello (Satish Shah), et impliquant également un deuxième entrepreneur, l'ivrogne Ahuja (Om Puri). Alors qu'ils développent d'autres photos, Vinod et Sudhir s'aperçoivent que l'une d'entre elles montre, à l'arrière plan, Tarneja en train de tirer sur quelqu'un. Ils retournent dans le parc où ils ont pris cette photo et trouve le cadavre de la victime, D'Mello. Mais ce dernier disparaît mystérieusement, ne laissant sur place qu'un bouton de manchette en or. Ils découvrent l'autre bouton de la paire un peu plus tard, lors de l'inauguration d'un pont dédié au défunt D'Mello, censé être mort de maladie. De nuit, Sudhir et Vinod déterre le cercueil contenant le corps de D'Mello, qui était enterré à proximité du pont. Ils prennent des photos du corps dans le but de prouver la culpabilité de Tarneja, avant que le cadavre disparaisse une fois de plus, et arrive accidentellement en la possession d'Ahuja. Lorsque Sudhir et Vinod s'aperçoivent que c'est Ahuja qui a le corps, ils en informent Shoba Sen, qui décide de faire chanter Ahuja. Celui-ci tente alors de faire assassiner Shoba Sen et les deux photographes. Sudhir et Vinod s'aperçoivent enfin que Shoba Sen cherche plus à s'enrichir qu'à faire éclater la vérité, et s'emparent du cadavre. Il s'ensuit une course poursuite à travers Bombay au cours de laquelle Sudhir, Vinod ainsi que Shoba et Ahuja qui les poursuivent sont amenés à se dissimuler (ainsi que le cadavre) sous des burqas. Tous les personnages finissent par faire irruption au milieu d'une représentation d'un épisode du Mahabharata et se font passer pour les acteurs. Le cadavre est quant à lui déguisé pour passer pour Draupadi. Lorsque finalement la police intervient Sudhir et Vinod révèlent toute l'affaire, mais ce sont finalement eux qui sont envoyés en prison.
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Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aaliya is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth. Dev is the saga of Dev and Tej's friendship, a bond stronger than blood ties in which Farhaan emerges as the wedge driving them apart. The story unfolds against the vitiated atmosphere of present times where innocent lives become fodder for political expediency. The spark of terrorist violence unknowingly set off by Farhaan under the aegis of the corrupt politician Latif engulfs the whole city in its flames. Tej transgresses beyond the boundaries of law in his passion to eliminate anti-national crime. Dev is faced with the spectre of the tragic human cost and a moral compulsion to act. The stakes rise beyond self-interest. Dev and Tej are set on a path of dramatic collision. Even as Dev and Farhaan's fate gets irreversibly linked, two soldiers whose allegiance may be to different causes but admiration for each other's courage and integrity brings them together.
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Nathu (Om Puri), a Chamar, is finishing his work in his shop when the thekedar (Pankaj Kapur) walks in and asks him to entice a pig from a nearby piggery into his shop and kill it for the Veterinary doctor who needs it for medical purposes. Nathu tries to decline saying he has never killed a pig before and doesn't have the necessary skill for it, offering instead to tan the hide if required provided the people from the piggery kill it. Thekedar insists that he wants Nathu to do it and gives him 5 rupees for it and leaves the shop saying that the work must be done by morning when the jamadar will come to take the carcass.
Hazaar Chaurasi Ki Maa, 2h32
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Dibyanath Chatterji, his bank-employed wife, Sujata, and youngest son, Brati, live an affluent existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed. Dibyanath and Sujata go to identify Brati's body, mourn, lament inconsolably. They know now that their lives will never be the same again - for by the police they will be called the mother and father of corpse No. 1084. Sujata struggles to understand Brati's passing, meets his friends one by one, comes to know that Brati had a girlfriend, Nandini Mitra, and that's when she finds out that Brati was part of a rebel group often referred to as "Naxalbari", a militant leftist group. As she delves deeper and deeper into Brati's former life, she begins to understand her son's struggle, and decides to continue to further this. What Sujata does not know is her and Dibyanath's lives are in danger, and they well turn up dead and end up as numbered corpses in a police morgue.