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Devatha (1941)

Devatha
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Devata is a 1941 Telugu drama film directed by B. N. Reddi. Huge success of this film lead to the making of more such films with the same title in 1964 by B. Padmanabham and in 1982 by D. Ramanaidu.

Acteurs

Chittor V. Nagaiah

(Venugopala Murthy)
Kumari

(Lakshmi, daughter of Venkaiah)
Mudigonda Lingamurthy

(Venkaiah)
Miss Kumari
C. H. Narayana Rao

(Sukumar)
Bande annonce de Devatha

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Satyam (Giri) is a progressive man. He is loved by his cousin Parvati (Malathi) and Saraswathi (Kumari). Saraswati, is an advanced thinking, rich woman, comes to know that she has been married and widowed as a child. Parvathi is an orthodox woman sacrifices her life. Sathyam and Saraswathi marry at the end supporting the film theme of widow marriages.
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Murthy (Nagaiah) is a publisher happily married to Kalyani (Jayamma) and the proud father of their children. He watches a street play in his village, and notices the beautiful Subbalaxmi (Bhanumathi) in that troupe. He advises Subbalaxmi's father to take her to Madras where she would have the potential to become a big theatre artiste. He even refers them to a theatre company. They travel to Madras. Subbalaxmi is offered the lead role and changes her name to Sujatha. Murthy falls for Sujatha's charms and neglects his family. Kalyani fends for her children by taking up small tailoring works and leading a hard life. At the end, Murthy realizes his mistake and returns to his family.
Mana Desam
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Madhu and Shoba are lovers. Madhu supports the Congress party but Shoba is opposed to congress views. They both are arrested in political violence during the freedom struggle. Madhu is tortured by the police and loses memory. The movie ends with his recovering from amnesia and reunion of the couple.
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Thyagayya (Nagaiah) is a villager composing devotional music to Rama while rejecting the court of Serfoji, Maharajah of Tanjore (Narayana Murthy), the dominant cultural center of the region. Turning down invitations and gifts from the Maharajah, he provokes the jealous wrath of his brother Japesen (Lingamurthy). The film's climax comes when Japesen destroys Rama's idols, Thyagaraja resurrects them eventually and sacrifices his life to his God.
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The story is based on innocent people cheated by rich people. This film is about an ideal man Sivaram (Nagaiah), who lives happily with his wife (Raja Kumari) and two children. They like music very much and want to make their children musicians and singers. He is a responsible bank employee by profession. He goes to Bombay for financial transaction and gets money. He is trapped by Dhanaraj (Lingamurthy) and got into the attraction of beautiful Leela (Vidhyavathi). He loses the bank money and gets into jail. By the time he returns, the family conditions are poor. He is even prepared to do some dirty jobs for the sake of his family. His children gets encouragement from Balananda Sangham and shines. He gets out of his problems and joins the family.
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Pundarikudu (N.T. Rama Rao) is from a pious Brahmin family who is not interested in the worship of God and irreligious, a complete rebel who is asked to mend his ways by his parents (Nagaiah and Rushyendramani). He steals their gold for a prostitute Kalavathy (B. Saroja Devi). His mother takes the blame, and they part ways. Kalavathy takes all his wealth and throws him out.
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It tells about sage Sandipani’s hermitage where Krishna and Kuchela are students and close friends. The difference in social status, caste or creed does not come in the way of their friendship. After leaving the hermitage they lose contact with each other. Krishna becomes the king of Dwaraka, while Kuchela struggles to make ends meet with a huge family. His worship of Krishna causes enmity with the king Sisupala. As requested by his wife Suseela, Kuchela decides to visit his old friend. For him it was a chance to renew their friendship than asking for assistance. Kuchela gets a warm welcome at Dwaraka but forgets to ask what he actually wanted. To his astonishment Krishna sends him back empty handed. But when Kuchela returns home he finds that his modest hut has miraculously been turned into a palace. The Lord had showered prosperity on his family even without asking for it.
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This story, passed on through centuries through traditional verse and folklore, dates back to the early 12th century during the reign of Kulothunga Chola I. The movie version of the story is this: Kambar, the kavichakravarthi whose name in enshrined forever as the author of Ramavatharam, the Tamil version of Ramayana, is a poet in Kulothunga’s court in Urayur. Despite his erudite scholarship, deep learning of Sanskrit and Tamil and extraordinary poetic skills, Kamban remains a humble, unassuming, deeply pious man, and a loyal subject of the King. All this earns Kamban a special place in the heart of Kulothunga who treats him with utmost deference and affection. Ottakoothar is another great poet in the King’s court, and Kamban’s ascent in the firmament and the King’s unabashed admiration for Kamban’s poetry has Ottakoothar simmering in jealousy.