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Accueil > Tous les films > Films Drame > భక్త పోతన
భక్త పోతన est un film de genre Drame réalisé par Kadiri Venkata Reddy avec Chittor V. Nagaiah

భక్త పోతన (1943)

భక్త పోతన
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Durée 3h6
Réalisé par
Genres Drame,    Biographie,    Historique
Note74% 3.7131253.7131253.7131253.7131253.713125

Bhakta Potana (Telugu: భక్త పోతన) is a 1942 Telugu Biographical film based on the life of Potana, who translated Bhagavatham into Telugu language. It is directed by Kadri Venkata Reddy and story written by Samudrala Raghavacharya.

Acteurs

Chittor V. Nagaiah

(Potana)Mudigonda Lingamurthy
Bande annonce de భక్త పోతన

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Source : Wikidata

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Suggestions de films similaires à భక్త పోతన

Il y a 84 films ayant les mêmes acteurs, 12 films avec le même réalisateur, 63078 ayant les mêmes genres cinématographiques (dont 723 ayant exactement les mêmes 3 genres que భక్త పోతన), pour avoir au final 70 suggestions de films similaires.

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The main characters in the film are in the public service, most of them in corrupt, negative roles, and there are many villains instead of one main villain. Dharma Rao (Gowrinatha Sastry) is the Chairman of the municipality. The municipal contractor, a local businessman, and his associates make up the rest of the corrupt cast. They use their influence for their own personal ends in secret. The municipal counsellor, however, Ramadasu (Lingamurthy), who is also a newspaper editor, is honest and uncorrupted. What happens to all these characters makes up the plot of the movie.
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Subhadra (the sister of Balarama and Krishna) marries a Pandava named Arjuna, and their son Abhimanyu falls in love with Balarama's daughter, Sasirekha. The families decide to marry them when they reach adulthood. By the time Abhimanyu and Sasirekha grow up, the Pandavas have lost a dice game to the Kauravas due to Sakuni's manipulation. Krishna, furious at an action of Dussasana that has insulted Draupadi, saves Draupadi. Balarama teaches the Kauravas a lesson and later reaches Hastinapuram. Sakuni and Duryodhana respect Balarama; after manipulating him, they seek his favour by requesting that Sasirekha be married to Duryodhana's son Lakshmana Kumara. They intend to force Balarama and Krishna to support them if the Pandavas wage war after their fourteen-year exile. Unaware of this, Balarama accepts.
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On an debate among Saptarishis where Bhrigu Maharshi argues that male is responsible for entire nature and where others says nature (female) is the origin of the universe. Bhrigu wanted to clarify his doubt with Lord Shiva. Upon reaching Kailasa, Shiva would be teaching lessons on dance to Goddess Parvati and since they were in the process, he would be ignored by Parvati and Shiva. Patience less Bhrigu curses Parvati to take birth three times on Earth and suffer with human related misfortune. Parvati also curses Bhrigu to take birth as a demon who suffers man kind. Parvati upon prying to Shiva, He favors Parvati, that She would take birth only one time but as triplets and He will take birth to protect her and convert Her human related misfortune as a boon with His accompany.
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The story is a combination of Parijatapaharanam, Subhadra Parinayam and Gayopakhyanam sequences in Hindu epic Mahabharata.