Kørsel med Grønlandske hunde, (English: Traveling with Greenlandic Dogs), is a Danish silent film made in 1897 by the photographer Peter Elfelt. It was the first movie sequence filmed in Denmark. The film, less than one minute in length (10 meters of 35mm film), shows a Danish colony manager named Johan Carl Joensen driving a sledge pulled by Greenlandic sled dogs through Fælledparken in Copenhagen, Denmark. In the short sequence, the dog sled is driven toward the camera across a flat snow-covered landscape, it disappears out of the picture, and then reappears from the other side with the driver chasing behind. Elfelt shot the film using a camera he had had constructed from detailed plans that Elfelt obtained from the French inventor, Jules Carpentier.
^ Tyberg, Casper 100 Års Dansk Film, Rosinante, (2001), 445pg, p17, ISBN 87-621-0157-9
^ "Peter Elfelt - Danmark Nationalfilmografi". Retrieved 2008-06-15.
, 1h53 Réalisé parSusanne Bier OrigineDanemark GenresDrame, Documentaire, Romance ActeursMads Mikkelsen, Sonja Richter, Nikolaj Lie Kaas, Paprika Steen, Ulf Pilgaard, Ida Dwinger Note74% Cecilia et Joaquim, jeune couple d'amoureux, sont sur le point de se marier quand Joaquim est renversé par une voiture. Le diagnostic des médecins est sans appel : le jeune homme restera tétraplégique. Cecilia se prépare à affronter l'avenir avec son mari paralysé. Mais ce dernier sombre dans la dépression et préfère couper les ponts. De son côté, Marie, mariée depuis quinze ans et mère de trois enfants, est rongée par un sentiment de culpabilité : elle conduisait la voiture responsable de l’accident. Elle demande alors à Niels, son mari médecin, de se rapprocher de soutenir la fiancée de Joaquim pour la soutenir dans cette épreuve.
The area was originally considered worthless by European-Australian settlers, who fenced it off and abandoned it. The town was established around the start of the 20th century by German immigrant settlers. Its population increased after the first and second World Wars due to the government's policies of subsidies to encourage settlement by veterans. The people of Rainbow have struggled to eke out an existence for more than three generations, with global economics and government policy compounding the difficulties of marginal farming. The film draws from home movies from the 1940s to portray the people in this town.