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Pudhu Nellu Pudhu Naathu est un film de genre Drame réalisé par P. Bharathiraja avec Sukanya

Pudhu Nellu Pudhu Naathu (1991)

Pudhu Nellu Pudhu Naathu
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Réalisé par
Genres Drame,    Action,    Romance
Note63% 3.1540453.1540453.1540453.1540453.154045

Pudhu Nellu Pudhu Naathu is a Tamil film directed by P. Bharathiraja.

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Source : Wikidata

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Suggestions de films similaires à Pudhu Nellu Pudhu Naathu

Il y a 75 films ayant les mêmes acteurs, 41 films avec le même réalisateur, 75789 ayant les mêmes genres cinématographiques (dont 1285 ayant exactement les mêmes 3 genres que Pudhu Nellu Pudhu Naathu), pour avoir au final 70 suggestions de films similaires.

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Karuththamma, 2h33
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The film looks at female infanticide and the hatred that surrounds the birth of a female child. A father blames his miseries on the birth of his daughters. Set in a rural village. Karuthamma was released to critical acclaim.
Pasumpon
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, 2h15
Réalisé par P. Bharathiraja
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For several years, Thangapandi (Prabhu) is in feud with his stepbrothers (Ponvannan and Vignesh).
தாஜ்மகால்
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Genres Drame, Action, Romance
Acteurs Riya Sen, Manoj K. Bharathi, Purnima Das Verma, Revathi, Raadhika Sarathkumar, Ranjitha
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Thiruppaachi and Sengulam are neighboring villages with a history of enmity between them. Maayan (Manoj) and Machakanni (Riya Sen) meet on the day of her engagement and its love at first sight. Her marriage itself gets called off when the groom and his family insult Machakanni's family and her romance with Maayan continues. But when her brother finds out about him, all hell breaks loose. The turned-down bridegroom is still itching for revenge and figuring out that the only way to extract it is to marry Machakanni, he pleads for forgiveness and succeeds in melting her brother's heart. The marriage is finalised but Maayan's friends swear to unite the star-crossed lovers. There is also a subplot of Maayan's aunt(Radhika) trying to get her daughter married off to Maayan.
நாடோடித் தென்றல், 2h20
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Genres Drame, Historique, Romance
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The story reveals around a triangular love between Karthik, Ranjitha and an English lady (District collector's daughter) during the British occupation in India. Karthik is a goldsmith's son, so he is too and Ranjitha is a gypsy woman has a poultry. At the start they both collide and very soon both falls for each other. At the same time, the braveness of Karthik is impressing the District Collector's sister's heart as well. The rest of the movie deals with how the lovers getting united with the help of the English lady
வேதம் புதிது
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Genres Drame, Romance
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Balu Thevar (Sathyaraj) and Saritha live in a village and belong to a land-owning warrior caste (Thevar), held lower in the Vedic caste system hierarchy than Brahmins. Balu Thevar though, is an atheist and speaks openly against the caste system, but is nevertheless tolerated by the villagers because he is generous in helping others in need. Their son, Raja, has just returned from the city having completed his education. He meets Amala, who is the daughter of a Brahmin Sastri (Priest), and they fall in love. Both of their parents discover their love and Amala's father tries to marry her off to another man in a neighboring village. On the way, Amala fakes her suicide to escape the marriage, and hides in a house (Nizhalgal Ravi's) that she happens to pass by. In the meantime, thinking that Amala is really dead, Amala's father confronts Raja and accuses him of causing her death. During the discussion, they slip and fall into the waterfall and both men die.
கடலோரக் கவிதைகள்
Réalisé par P. Bharathiraja
Genres Drame, Romance
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The Film is about transformation of a Hero (Satyaraj) who has a prison record and his understanding of Love through an elementary education. In that process he falls in love with the school teacher Heroine (Rekha).
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Movie produced by Chithra Raamu and Chithra Lakshmanan under the banner of Gayathri Films with a huge success.
Red Rose
Red Rose (1980)

Réalisé par P. Bharathiraja
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Anand (Rajesh Khanna) is a successful businessman with a dark side. He preys on nubile girls and rapes and kills them. These proceedings are video-recorded and watched by his adoptive father and mentor, another deranged woman-hater who, as with Anand, had a disillusioning experience with the female sex in his past. The old man stays holed up in a far corner of Aanand's mansion watching his son carry out what he is too infirm to do. The murdered girls are buried in Anand's garden and a rosebush is grown above.