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Ram Rajya est un film de genre Drame réalisé par Vijay Bhatt avec Shobhna Shilotri Samarth
Ram Rajya (1943)
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Ajouter à une liste de filmsRam Rajya is a 1943 Hindi mythological film, directed by Vijay Bhatt, with Prem Adib and Shobhna Samarth in the lead roles of Rama And Sita. It was the third highest grossing Indian film of 1943.
The film gained significance, as for title it used the term Ram Rajya (Rule of Rama), Mahatma Gandhi often used to define democratic-righteous rule during the Indian independence struggle, and it was the only film he, who didn't think much of the medium, ever saw.
First Indian movie that premiered at USA.
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Suggestions de films similaires à Ram Rajya
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Rambaan (1948)
, 2h35Réalisé par Vijay Bhatt
Thèmes Mythologie, Religion
Acteurs Shobhna Shilotri Samarth, Prem Adib, Chandra Mohan, Amirbai Karnataki, Leela Mishra, Jankidas
Rama with his wife Sita and brother Lakshman are banished for fourteen years to the forest. Ravana the king of Lanka wants to avenge his sister Surpanakha's humiliation by Lakshman. His plan is to abduct Sita by sending Maricha as a golden-spotted deer. Sita sees the deer and wants Rama to go after it as she wants its skin to make a blouse for Lakshman's wife Urmila. A cry is heard and thinking it is Rama shouting in pain, Sita sends Lakshman in search. Lakshman, loath to go as he has promised Rama to take care of Sita finally leaves after drawing a line, the Lakshmana rekha, round the cottage to keep Sita safe. Ravan kidnaps Sita by making her step on his sandal that he places inside the Lakshman-rekha. This incident leads to Rama and Lakshman's meeting with Sugriva and Hanuman where they help in the war against Ravan to get Sita back.
Ramayan (1953)
, 2h12Réalisé par Vijay Bhatt
Thèmes Mythologie, Religion
Acteurs Prem Adib, Shobhna Shilotri Samarth, Durga Khote
Ram Rajya (1966)
, 2h55Réalisé par Vijay Bhatt
Thèmes Mythologie, Religion
Acteurs Bina Rai, Farida Jalal, Gopi Krishna
Rama returns to Ayodhya after being banished for fourteen years to the forest by his father Dashratha on the say of his second wife Kaikeyi. Rama's wife Sita and his brother Lakshmana had accompanied him in his exile. Sita was kidnapped by Ravan, King of Lanka, a war ensued with the death of Ravan and rescue of Sita. Valmiki in his hermitage has completed his epic Ramayana, and sends a messenger to King Rama asking permission to have it recited to him at his court. Good news arrives that Sita is expecting. However, things are set in motion when a washerwoman comes for justice as her husband throws her out of the house when her virtue is questioned as under unforeseen circumstances she spends the night with a man other than her husband. Things spiral out of control when the washerman and the public of Ayodhya question Sita's virtue following her forced captivity at Lanka. Sita has to go through a test of fire but even then the talk continues and Rama is forced to banish her to the forest. Lakshman takes her there and tells her of Rama’s intention of forsaking her. Appalled she jumps into the Ganga, but is saved by the sage Valmiki. Being pregnant, he reminds her of her duty as a queen and the need for her to provide heirs. She stays in the hutment anonymously and gives birth to twins called Luv and Kusha. Time passes and Rama is miserable with the step he had to take. Sage Vashishta has arranged for a Yagna to be performed by Rama. Valmiki's Ramayana is read by the boys and they sing out the verses. The twins meet are taken by Valmiki to Ayodhya to attend the Yagna. The children are unaware of their lineage. Valmiki makes them recite the story he has written which impresses Rama but he too is unaware of who the boys are. Finally after a short war between father and sons, they are united along with Sita.
Vikramaditya (1945)
, 2h46Réalisé par Vijay Bhatt
Genres Drame, Biographie, Historique
Thèmes Politique, Royauté
Acteurs Prithviraj Kapoor, Prem Adib
The Shakas (Scythians) have invaded and defeated the Kashmir region. The Kashmiri princess Shreelakha, is on the run to avoid captivity and unwanted attention of Shakraj. The Shakas have already managed to capture several areas in India and the princess is finding it difficult to find refuge. She meets Kalidas the poet, who tells her to ask for shelter from King Vikramaditya, the ruler of Avanti. Kalidas, through his poetry impresses Madhvi, the daughter of Acharya Varamihir and she makes it possible for them to meet Vikramaditya. The King appoints Kalidas as the court poet. The princess asks for refuge and war against the Shakas. When Vikramaditya promises to do so he is met with opposition from his Minister, Vaital. Vaital on being rebuffed by the King then incites the people against the princess and tries to poison her. After several incidents involving the honesty of the King and his travails, the people think that Vaital has poisoned the King and the princess. The magnanimity and valour of the King is shown when he fights the Shakas, killing Shakaraj and releasing Shreelekha's father from captivity and restoring his kingdom.
Jhansi Ki Rani (1953)
, 2h28Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Thèmes Mythologie, Religion
Acteurs Mahipal Singh, Shobhna Shilotri Samarth, Mehtab
The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Bhagwat Gita (1993)
Réalisé par Ganapathi Venkatrama Iyer
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Thèmes Mythologie, Religion
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Note80%
Le Mahabharata (1989)
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Origine Portugal
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Thèmes La musique, Mythologie, Religion, Musiques du monde, Musique, Mythologie hindoue
Acteurs Andrzej Seweryn, Georges Corraface, Vittorio Mezzogiorno, Bruce Myers, Mallika Sarabhai, Yoshi Oida
Note77%
Composé de trois parties - La Partie de dés, L'Exil dans la forêt, La Guerre -, ce "grand poème du monde" raconte la violente querelle entre deux groupes de cousins, les Pandavas et les Kauravas, querelle qui a pour objet le pouvoir sur le monde.
Baiju Bawra (1952)
Réalisé par Vijay Bhatt
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Note73%
Tansen is known to be the greatest classical vocalist ever to have existed in India, and was one of the nine jewels (Navaratnas) of Emperor Akbar's court. Nobody could sing in the city unless he or she could sing better than Tansen. If this was not the case, he or she was executed. Baiju Bawra is the story of an unknown singer, Baiju, who is on a mission to defeat Tansen in a musical duel to avenge the death of his father.
Patrani (1956)
Réalisé par Vijay Bhatt
Genres Drame, Historique, Musical
Thèmes Musique
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The story is about King Karma Dev who gives a lot of importance to physical beauty. His mother the Rajmata requests Mahamantri Munjal to find him a nice wife. Karma Dev often dreams of marrying an unknown beautiful woman he had once seen in the Somnath temple. Meanwhile Mrinalla is the princess of Karnataka who also dreams of marrying a king she had once seen in the Somnath temple. When Munjal happens to see the beautiful woman Mrinalla, he shows the King's portrait to her and she is happy to finally find the man of her dreams. So she runs away from the palace and searches for Karma Dev to marry him. Soon after, Munjal shows Mrinalla's painting to Karma Dev, who agrees to marry her. On the day of the marriage, the King finds out she is dark and refuses to marry her. After several incidents Karma Dev realizes his mistake and at last he happily accepts Mrinalla as his Patrani.
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Note58%