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Ram Rajya est un film de genre Drame réalisé par Vijay Bhatt avec Shobhna Shilotri Samarth

Ram Rajya (1943)

Ram Rajya
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Durée 2h12
Réalisé par
Genres Drame
Themes Mythologie,    Religion
Note69% 3.469643.469643.469643.469643.46964

Ram Rajya is a 1943 Hindi mythological film, directed by Vijay Bhatt, with Prem Adib and Shobhna Samarth in the lead roles of Rama And Sita. It was the third highest grossing Indian film of 1943.

The film gained significance, as for title it used the term Ram Rajya (Rule of Rama), Mahatma Gandhi often used to define democratic-righteous rule during the Indian independence struggle, and it was the only film he, who didn't think much of the medium, ever saw.
First Indian movie that premiered at USA.

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Source : Wikidata

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Suggestions de films similaires à Ram Rajya

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Si vous avez aimé Ram Rajya, vous aimerez sûrement les films similaires suivants :
Rambaan
Rambaan (1948)
, 2h35
Réalisé par Vijay Bhatt
Thèmes Mythologie, Religion
Acteurs Shobhna Shilotri Samarth, Prem Adib, Chandra Mohan, Amirbai Karnataki, Leela Mishra, Jankidas

Rama with his wife Sita and brother Lakshman are banished for fourteen years to the forest. Ravana the king of Lanka wants to avenge his sister Surpanakha's humiliation by Lakshman. His plan is to abduct Sita by sending Maricha as a golden-spotted deer. Sita sees the deer and wants Rama to go after it as she wants its skin to make a blouse for Lakshman's wife Urmila. A cry is heard and thinking it is Rama shouting in pain, Sita sends Lakshman in search. Lakshman, loath to go as he has promised Rama to take care of Sita finally leaves after drawing a line, the Lakshmana rekha, round the cottage to keep Sita safe. Ravan kidnaps Sita by making her step on his sandal that he places inside the Lakshman-rekha. This incident leads to Rama and Lakshman's meeting with Sugriva and Hanuman where they help in the war against Ravan to get Sita back.
Ram Rajya
Ram Rajya (1966)
, 2h55
Réalisé par Vijay Bhatt
Thèmes Mythologie, Religion
Acteurs Bina Rai, Farida Jalal, Gopi Krishna

Rama returns to Ayodhya after being banished for fourteen years to the forest by his father Dashratha on the say of his second wife Kaikeyi. Rama's wife Sita and his brother Lakshmana had accompanied him in his exile. Sita was kidnapped by Ravan, King of Lanka, a war ensued with the death of Ravan and rescue of Sita. Valmiki in his hermitage has completed his epic Ramayana, and sends a messenger to King Rama asking permission to have it recited to him at his court. Good news arrives that Sita is expecting. However, things are set in motion when a washerwoman comes for justice as her husband throws her out of the house when her virtue is questioned as under unforeseen circumstances she spends the night with a man other than her husband. Things spiral out of control when the washerman and the public of Ayodhya question Sita's virtue following her forced captivity at Lanka. Sita has to go through a test of fire but even then the talk continues and Rama is forced to banish her to the forest. Lakshman takes her there and tells her of Rama’s intention of forsaking her. Appalled she jumps into the Ganga, but is saved by the sage Valmiki. Being pregnant, he reminds her of her duty as a queen and the need for her to provide heirs. She stays in the hutment anonymously and gives birth to twins called Luv and Kusha. Time passes and Rama is miserable with the step he had to take. Sage Vashishta has arranged for a Yagna to be performed by Rama. Valmiki's Ramayana is read by the boys and they sing out the verses. The twins meet are taken by Valmiki to Ayodhya to attend the Yagna. The children are unaware of their lineage. Valmiki makes them recite the story he has written which impresses Rama but he too is unaware of who the boys are. Finally after a short war between father and sons, they are united along with Sita.
Jhansi Ki Rani, 2h28
Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Thèmes Mythologie, Religion
Acteurs Mahipal Singh, Shobhna Shilotri Samarth, Mehtab

The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Vikramaditya, 2h46
Réalisé par Vijay Bhatt
Genres Drame, Biographie, Historique
Thèmes Politique, Royauté
Acteurs Prithviraj Kapoor, Prem Adib

The Shakas (Scythians) have invaded and defeated the Kashmir region. The Kashmiri princess Shreelakha, is on the run to avoid captivity and unwanted attention of Shakraj. The Shakas have already managed to capture several areas in India and the princess is finding it difficult to find refuge. She meets Kalidas the poet, who tells her to ask for shelter from King Vikramaditya, the ruler of Avanti. Kalidas, through his poetry impresses Madhvi, the daughter of Acharya Varamihir and she makes it possible for them to meet Vikramaditya. The King appoints Kalidas as the court poet. The princess asks for refuge and war against the Shakas. When Vikramaditya promises to do so he is met with opposition from his Minister, Vaital. Vaital on being rebuffed by the King then incites the people against the princess and tries to poison her. After several incidents involving the honesty of the King and his travails, the people think that Vaital has poisoned the King and the princess. The magnanimity and valour of the King is shown when he fights the Shakas, killing Shakaraj and releasing Shreelekha's father from captivity and restoring his kingdom.
Agathiyar
Agathiyar (1972)
, 2h33
Genres Drame
Thèmes Mythologie, Religion
Acteurs Sirkazhi Govindarajan, Gemini Ganesan, Ramasamy Subramania Manohar, R. Muthuraman, Sridevi, Devika
Note66% 3.332623.332623.332623.332623.33262
The story is about Agathiyar muni is considered to be the embodiment of one of celestial intellectual who descended on earth to enlighten human being. During wedding of Lord Shiva and Parvathi, the earth tilted to the Northern side, as the whole world was witnessing the marriage. Lord Shiva gave the responsibility of balancing the earth to Agathiyar by going to Southern side. Agathiyar is also given additional responsibility of spreading goodness and equality. Along with this he has the added task of spreading Tamil language. Many small stories , from the heaven to earth are interwoven in the movie. The stories teach one to lead simple existence without ego. It also shows how agathiyar in this journey destroy the ego of River Kaveri , Vidhaya Mount and Ravana. Thereby teaching them the greatness of humility.
Mohini Bhasmasur
Réalisé par Dhundiraj Govind Phalke
Genres Drame
Thèmes Mythologie, Religion
Acteurs Kamalabai Gokhle

The plot of the film revolves round the theme of the Hindu mythological story of Mohini and Bhasmasur(a) ("ash-demon"), an asura (demon). The god Shiva grants Bhasmasura the power to turn anyone into ashes by touching their head. The demon decides to try the power on Shiva himself. Shiva runs terrified. The god Vishnu, witnessing the unfortunate turn of events, transforms into the seductress Mohini and enchants Bhasmasura. Bhasmasura asks her to marry him. Mohini agrees, but only on the condition that Bhasmasura follows her move for move in a dance. In the course of the dance, she places her hand on her head. Bhasmasura mimics the action, and in turn, reduces himself to ashes.
La Momie
La Momie (1932)
, 1h13
Réalisé par Karl Freund
Origine Etats-Unis
Genres Drame, Fantasy, Horreur
Thèmes Afrique post-coloniale, Mythologie, Religion, Mythologie égyptienne
Acteurs Boris Karloff, Zita Johann, David Manners, Edward Van Sloan, Noble Johnson, Leonard Mudie
Note69% 3.4968253.4968253.4968253.4968253.496825
En 1921, sur le site de Thèbes, des archéologues du British Museum découvrent un sarcophage contenant la momie d'Imhotep, prêtre de l'ancienne Égypte embaumé vivant pour être tombé amoureux de la princesse Ank-Souh-Namun, en dépit de l'interdit. Ramené à la vie par accident, Imhotep s'enfuit en emportant le parchemin de Thot, qui permet de ressusciter les morts.
Raja Harishchandra, 40minutes
Réalisé par Dhundiraj Govind Phalke
Origine Inde
Genres Drame, Historique
Thèmes Mythologie, Religion, Sexualité, Homosexualité, Transsexuels et transgenres, Mythologie hindoue, LGBT, LGBT, Travestissement au cinéma
Acteurs D. D. Dabke or Dattatraya Damodar Dabke, Anna Salunke
Note58% 2.947712.947712.947712.947712.94771
Film mythologique inspiré du Mahabharata relatant la vie du roi Harishchandra. Ce roi noble et juste sacrifie d’abord son royaume, puis sa femme et ses enfants, pour honorer sa promesse au Sage Vishwamitra. À la fin, les dieux, satisfaits par sa haute valeur morale, lui rendent sa gloire passée.
Kanchana Sita, 1h27
Réalisé par G. Aravindan
Genres Drame
Thèmes Mythologie, Religion, Adaptation d'une pièce de théâtre
Acteurs Prem Nazir
Note70% 3.522713.522713.522713.522713.52271
The film begins with the journey of Rama and Lakshmana to kill Shambuka – the shudra who performs penance – but Shambuka's wife pleads for his life, and he is spared. Rama and Lakshmana return to Ayodhya to face Urmila, the spirited wife of Lakshmana. Rama replies to her reproaches for abandoning Sita in the Dandakaranya forests, through which they have just journeyed, that the husband of Sita is only a servant of the people of Ayodhya.