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Mohan Joshi Hazir Ho! est un film de genre Drame réalisé par Saeed Akhtar Mirza avec Naseeruddin Shah
Mohan Joshi Hazir Ho! (1984)
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Ajouter à une liste de filmsMohan Joshi Hazir Ho! (Summons for Mohan Joshi ) is a 1984 Hindi art film, made by Saeed Akhtar Mirza, based on his own story, during the Parallel Cinema period of Indian cinema.
The film is a comic satire on a judicial system, where cases drag on for decades, where plaintiffs either die or lose hope and money, while the corrupt run scot free, thanks to their nexus with corrupt lawyers.
It won the 1984 National Film Award for Best Film on Family Welfare.
Synopsis
An old couple, Mohan Joshi (Bhisham Sahni) and his wife (Dina Pathak), sues their landlord (Amjad Khan) for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers (Naseeruddin Shah and Satish Shah), while Rohini Hattangadi is the opposition lawyer.Acteurs
Naseeruddin Shah
(Malkani)
Deepti Naval
Bhisham Sahni
(Mohan Joshi)
Dina Pathak
(Joshi's Wife)
Rohini Hattangadi
(Opposing Lawyer)
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Suggestions de films similaires à Mohan Joshi Hazir Ho!
Il y a 354 films ayant les mêmes acteurs, 7 films avec le même réalisateur, 61656 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Mohan Joshi Hazir Ho!, vous aimerez sûrement les films similaires suivants :
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The film captures the angst of a worker, in Mumbai exemplified by a young Christian car mechanic, Albert Pinto (Naseeruddin Shah) who is under the illusion that if he works hard and emulates the rich, one day he can also be successful. He makes friendly relations with his customers, who are usually the rich of the city and who keep telling him that good workers do not go on strike. Strikes are the handiwork of lumpen elements. Pinto gets angry with the supposedly wrong attitudes of the workers who he assumes go on strike under any pretext. However, when Pinto's father, who is a mill worker is abused by the lumpen elements hired by the mill owners, he realizes that it is not the workers but the capitalists who should be blamed for the plight of the workers. He also realizes the legitimacy of strikes. Towards the end of the movie, Pinto still remains an angry man; but now his anger is directed against the capitalists, not the striking workers.
, 1h50Réalisé par Saeed Akhtar Mirza
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Note70%
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The film is set between June and December 1992, the days preceding the infamous demolition of the Babri Masjid at Ayodhya in the Indian province of Uttar Pradesh by Hindu fanatics. Relationship between Naseem, a 15-year-old schoolgirl belonging to a middle class Bombay based Muslim family and his ailing grandfather takes the story forward as the family watches with increasing horror on their TV the news of the growing tension between Muslims and Hindus. The grandfather keeps regaling her with stories of life marked by communal harmony in the pre-independence city of Agra. As communal tension erupts in the city of Bombay, Naseem notices changing dynamics at her school and in the neighborhood, while her grandfather watches helplessly at a city getting deeply divided on communal lines. The old man dies on December 6 coinciding with the news of the destruction of the mosque.
Ghashiram Kotwal (1976)
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The play begins with an invocation to lord Ganesha. Then the Brahmins of Pune introduce themselves and we can see the morally corrupt state of affairs in Pune. Nana Phadnavis who is the Diwan (Chief Secretary) of Pune is also corrupt and visits the lavani dancer. Ghashiram is working with the lavani dancer. Ghashiram being a Brahmin goes to collect alms at the Peshwa's festival the next day. However he is ill-treated there and is charged with pick-pocketing and imprisoned for the offence. He then decides to take revenge.
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The film tells the tale of Mumbai city and the millions who get off the train at VT station at every second of the day, hoping to latch on to the magic of Mumbai.
Bhavni Bhavai (1980)
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Note69%
The film begins with a group of Harijans migrating to a city pausing for a night. An elderly (Om Puri) starts narrating the story of King Chakrasen.
Naseem (1995)
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The film is set in the period of the Hindutva mobilization of the 1980s, the consequent explosive communal conflict, and its impact on the lives of the young men of the minority Muslim community, represented by a working class Muslim family in Mumbai. Salim Pasha (Langda or Lame) is a small-time thief and goonda and lives with his parents and sister in a shady neighborhood where crime and illegal activities are accepted professions.
Mirch Masala (1987)
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The film is set in Colonial India in the early 1940s. The plot begins with an arrogant subedar (Naseeruddin Shah) (local tax collector in colonial India) and his henchmen rampaging through a village. The subedar has an eye for women and soon spots Sonbai (Smita Patil) on the riverbank. Sonbai is an intelligent, beautiful and strong woman. Her confidence intrigues the subedar.