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Naukari est un film de genre Drame réalisé par Bimal Roy avec Kishore Kumar
Naukari (1954)
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Ajouter à une liste de filmsNaukari (Job) is a 1954 Bollywood film directed by Bimal Roy for Bimal Roy Productions. The lead actors were Kishore Kumar and Sheila Ramani. This film is about the dreams and aspirations of the educated youth getting shattered as they struggle in the city for employment, in the ensuing years after India attained independence. Naukri and Baap Beti (1954) are cited as "sensitive" and "memorable" films from Roy. In Naukri, Bimal Roy tackles yet another social problem, this time involving unemployment. Naukri is one of the earliest films where Kishore Kumar first gained prominence. Since his comic persona had not yet fully developed, Naukri sees a sincere, sensitive and restrained performance from him.
Synopsis
Rattan Kumar Choudhury (Kishore Kumar) stays with his widowed mother (Achala Sachdev) and sick sister, Uma/Umi (Noor) in the village. He is waiting for his college results and dreams about the day when he has a job and a house and can look after his family. Rattan passes his BA and leaves for Calcutta where his father's colleague had promised him a job where his father had worked. In Calcutta he takes up boarding in a lodge where he is neighbour to three other unemployed youth (one of whom is Iftekhar) in the 'Bekar' (unemployed/without work) wing of the lodge. At his father's office he finds out the manager has given the job to a relative. Rattan doesn't give up and perseveres applying wherever he can. His sister, suffering from TB is put on the waiting list at the sanitorium. Meanwhile in Calcutta Ratan also finds love with Seema (Sheila Ramani) who stays in the house in the next compound much to her father's chagrin. Rattan struggles to get a job but to no avail. One day even as he gets the news that his sister has been accepted at the sanitorium, he gets a telegram informing of her death. One of the other youth in the lodge, Shankar, tries to kill himself but Rattan stops him. Shankar gets a job later and is grateful to Rattan. Rattan finally gets a job in Bombay. He sends his appointment letter to Seema's father to prove he has now got a job but the old man tears up the letter and now Rattan has to leave for Bombay but he cannot remember the name of the company. Rattan reaches Bombay and ultimately does make his way to the company. He gets the job but one day takes up the side of an old employee and the manager fires him. Meanwhile Seema runs away from Calcutta to be with Rattan in Bombay. He cannot bring himself to tell her he is jobless. He tries to commit suicide but Seema stops him and they decide they will face life together.Acteurs
Kishore Kumar
(Ratan Kumar Chaudhary)
Sheila Ramani
(Seema)
Achala Sachdev
(Rattan and Uma's mother)
Syed Ishtiaq Ahmed Jaffery
Nirupa Roy
Balraj Sahni
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Suggestions de films similaires à Naukari
Il y a 237 films ayant les mêmes acteurs, 12 films avec le même réalisateur, 61422 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Naukari, vous aimerez sûrement les films similaires suivants :
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, 2h22Réalisé par Bimal Roy
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Note82%
Un paysan du Bengale, Shambhu, refuse de vendre son lopin de terre à un riche propriétaire terrien qui en a besoin pour construire une usine. Furieux, le propriétaire lui réclame alors le paiement immédiat de ses dettes. Le tribunal ne lui ayant accordé que trois mois de délai, Shambhu se rend à Calcutta dans l’espoir d’y trouver un travail lucratif.
माँ (1952)
, 2h20Réalisé par Bimal Roy
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Note68%
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Prem Patra (1962)
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Bandini (1963)
, 2h37Réalisé par Bimal Roy
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Note76%
The film is set in a prison in around 1934 in pre-Independence India, where Kalyani is serving life imprisonment prison for committing a murder, and we learn the circumstances of her crime in flashback as she divulges it to the jailor. The film is set in Bengal in the 1930s, during the British Raj, where Kalyani (Nutan) is the daughter of the postmaster (Raja Paranjpe) of the village, who falls in love with a freedom fighter, Bikash (Ashok Kumar), who later leaves her in the village promising to come back but never does. The society treats them harshly. Broken by her father's misery and that of her own, Kalyani moves to the city, to the singing of the sad song "O Jaanewale Ho Sake To Laut Ke Aana". In the city she works as a caretaker of an obnoxious and mentally unstable woman, who turns out to be the wife of Bikash. Kalyani learns that her father came to the city looking for her and died in an accident. That prompts her to poison her lover's wife, identifying her as the cause of her miseries in a moment of insane rage. Director Bimalda captures her emotions as she resolves to commit the crime, with light and darkness falling on her face due to a welder's torch and the thumping of Iron in the background, and the ambient sounds as she inches towards the decision, pumping vigorously into a kerosene stove, without uttering a single word through it all. And subsequently confesses to the crime with equal passion.
Parakh (1960)
Réalisé par Bimal Roy
Origine Inde
Genres Drame
Acteurs Sadhana Shivdasani, Motilal, Nazir Hussain, Durga Khote, Leela Chitnis, Asit Sen
Note72%
The central character is the Post Master who is given a mysterious cheque for ₹500,000 to be given to anyone who will use it to benefit the people of the village. There is a postman who pretends to be lame and is secretly rich and may have sent the cheque. Then there is the postmaster's wife, who is sick and would rather use the money to cure her illness, and his beautiful daughter Seema (played by Sadhana), who has a crush on the village school master. Meanwhile all the greedy and influential people of the village are busy trying to convince everybody why they are most deserving of the money; they include the village priest, the land lord, the money lender, the village doctor and the school master, who is by far the most respected. They all decide democracy is the best means and decide to hold an election where the winner gets the money. The movie is a satirical look at democracy through various twists and turns in the plot, interweaved with a simple love story.
Sujata (1959)
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Note72%
Sujata is a romance between a Brahmin young man, Adheer (Sunil Dutt) and an untouchable woman, Sujata (Nutan). The movie has Dr. B. R. Ambedkar's fight against untouchability and the myth of Chandalika in hinduism as its subtexts on the basis of which it tries to criticize the practice of untouchability in India.
Devdas (1955)
, 2h39Réalisé par Bimal Roy
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Note76%
Set against the backdrop of rural Bengal during feudal times, Devdas is a young man from a wealthy Bengali Brahmin family in India in the early 1900s. Paro alias Parvati is a young woman from a middle class Bengali Brahmin family, but belonging to a slightly lower status in terms of caste, affluence and status. The two families lived in a village, and Devdas and Paro were childhood friends.
Parineeta (1953)
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Note72%
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, 2h50Réalisé par Bimal Roy
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Note70%
Le film se déroule dans la Rome antique à une époque où les Juifs sont persécutés par l'empire. Brutus (Nazir Husain) est accidentellement blessé au cours d'une parade en ville par le fils du joaillier juif Ezra (Sohrab Modi). Irascible et tyrannique, Brutus s'obstine à croire à un attentat et fait exécuter l'enfant en le faisant jeter aux lions dans l'arène du cirque. Pour tirer vengeance de Brutus, Ezra parvient à faire kidnapper sa fille, Lydia, encore enfant, qu'il renomme Hannah et élève comme sa propre fille. Devenue adulte (jouée alors par Meena Kumari), elle rencontre un homme dont elle tombe amoureuse. Mais elle ignore qu'il s'agit d'un prince romain, Marcus (Dilip Kumar), fils de l'empereur lui-même, et déjà destiné à un mariage arrangé avec la nièce de Brutus, Octivia (Nigar Sultana), qu'il n'aime pas.
Biraj Bahu (1954)
Réalisé par Bimal Roy
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Acteurs Kamini Kaushal, Abhi Bhattacharya, Pran Krishan Sikand, Iftekhar, Manorama
Note64%
Biraj (Kamini Kaushal) is married off to Nilambar Chakraborty (Abhi Bhattacharya) when she was a little girl. The couple is childless. Nilambar is pious, generous and loving, but unemployed. His devious younger brother takes advantage of Nilambar's naiveté to force a partition of the home and buy off their joint land under an assumed name from the lender it was mortgaged to. Nilambar and Biraj are reduced to a wretched existence. To make matters worse, Deodhar, a wealthy young contractor who arrives in the village, is captivated by Biraj's beauty and tries to bribe her erstwhile maid Sundari, to lure her to his boat. After several dramatic twists and turns, Biraj is kidnapped but she jumps off the boat before he can do anything. She runs away from the hospital in the middle of the night to see her husband one last time. He had promised that he would bless her at the time of her death and that she would die at his feet.