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Samar est un film de genre Drame réalisé par Shyam Benegal avec Rajeshwari Sachdev
Samar (1999)
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Ajouter à une liste de filmsSamar (Hindi: समर, Urdu: سمر, translation: Conflict) (1999) is an Indian feature film directed by Shyam Benegal. This movie is based on the book "Unheard Voices: Stories of Forgotten Lives" by Harsh Mander. It was produced by National Film Development Corporation of India, a government agency.
It stars Rajeshwari Sachdev, Jonhawiwi Forsywas, Kishore Kadam and Seema Biswas among others. The film is in Hindustani. The film's music is composed by Vanraj Bhatia. It won the National Film Award for Best Feature Film in 1999.
Synopsis
The larger theme of the film is centred on India's caste system, though it is depicted as a film within a film.Acteurs
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Suggestions de films similaires à Samar
Il y a 92 films ayant les mêmes acteurs, 23 films avec le même réalisateur, 61578 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Samar, vous aimerez sûrement les films similaires suivants :
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Note78%
Mammo (1994)
, 2h10Réalisé par Shyam Benegal
Genres Drame
Acteurs Farida Jalal, Surekha Sikri, Sanjay Batra, Rajit Kapur, Rajeshwari Sachdev, Himani Shivpuri
Note77%
13-year-old Riyaz (Amit Phalke) lives a poor lifestyle in Bombay, India, with his grandmother, Fayyuzi (Surekha Sikri), and her sister, Mehmooda Begum alias Mammo (Farida Jalal). Quite outspoken and embittered over his dad abandoning him, Riyaz does not have many friends, save for Rohan. When Mammo plans a surprise birthday party for him, Riyaz is offended as he believes his friends will make fun of him as his lifestyle is not as good as theirs. Fayyuzi and Riyaz have an argument with Mammo, and she leaves for the mosque at Haji Ali; she returns when they apologize. Although Mammo was born in Panipat during the British Raj, she was one of thousands of Muslims who left for Pakistan after Partition. She and her husband automatically become Pakistani citizens. Although childless, her marriage is a happy one until her husband's death. Over property matters, Mammo is thrown out of the house by her relatives.
Sardari Begum (1996)
, 2h15Réalisé par Shyam Benegal
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Note70%
The police are called to investigate the death of a woman during a riot in the walled city of Delhi. She was killed by a stone thrown by an agitated mob. The woman killed is known in the community as "Sardari Begum" (Kiron Kher), a popular singer and courtesan. The religious nature of the incident and the impending elections combine to attract the media's attention. When a young reporter covering the funeral, Tehzeeb Abbasi (Rajina Raj Bisaria), discovers her father among the mourners, her curiosity prompts her to investigate further. Then comes the revelation that the singer was in fact her aunt, who was disowned by her family for rebelliously learning music from a concubine.
Hari Bhari (2000)
, 2h14Réalisé par Shyam Benegal
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Note73%
The movie tells the story of a middle aged Muslim woman Gazala (Shabana Azmi), who is ill treated by her husband and sent back to her parent's home, just because she is unable to give birth to a son. Gazala does have a daughter Salma (Rajeshwari Sachdev). The plot revolves around Gazala's stay at her mother's home and the problems faced by the women of the house, being her mother and sisters-in-law. The film is a beautiful description of the problems faced by women in the name of fertility, or in a different sense the urge to have a male child, especially in rural India. Shyam Benegal provides a masterpiece, reflecting on the sorrowful plight of rural Indian women. The irony lies in the point where the movie begins with a scene which shows a bull being brought to impregnate a buffalo. Five different women, each with a different story depicting the harsh realities of a woman's life.
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, 3h42Réalisé par Shyam Benegal
Genres Drame, Biographie, Action, Historique
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Note75%
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Zubeidaa (2001)
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Note64%
Abandonné par sa mère alors qu'il n'est qu'un bébé, Riyaz décide de découvrir quelle a été la vie de Zubeidaa, cette mère qu'il n'a jamais connue. Zubeidaa est une jeune musulmane d'une famille aisée qui décide de faire secrètement du cinéma. Quand son père découvre cette activité qu'il juge indigne d'une femme respectable, il arrange immédiatement son mariage avec le fils d'un de ses amis. Le couple vit heureux et a un petit garçon, Riyaz, mais à la suite d'une dispute entre les deux pères, ils divorcent et Zubeidaa retourne vivre dans sa famille où elle se désespère.
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, 2h24Réalisé par Shyam Benegal
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Note68%
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For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.
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Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.
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, 2h20Réalisé par Shyam Benegal
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Note75%
Un instituteur et son épouse arrivent dans un village de la région d'Hyderabad sur lequel une fratrie de zamindars (propriétaires terriens) fait régner la terreur. Le plus jeune des frères s'éprend de la jeune femme et l'enlève. Son mari tente de la libérer par lui-même, puis fait appel, sans succès, à la police, au conseil du village, à la justice, et au prêtre du temple local. Pendant ce temps, dans le palais des zamindars, Sushila s'accommode de son sort.