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Haadsaa est un film de genre Drame réalisé par Akbar Khan avec Ranjeeta "Robby" Kaur

Haadsaa (1983)

Haadsaa
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Réalisé par
Genres Drame,    Thriller,    Action
Note51% 2.5794452.5794452.5794452.5794452.579445

Haadsa (Hindi: हादसा) is a 1983 Hindi Action,Thriller film directed and produced by Akbar Khan. The film features Akbar Khan himself, Ranjeeta, Naseeruddin Shah, Amrish Puri as main characters.

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Suggestions de films similaires à Haadsaa

Il y a 403 films ayant les mêmes acteurs, 1 films avec le même réalisateur, 74967 ayant les mêmes genres cinématographiques (dont 2746 ayant exactement les mêmes 3 genres que Haadsaa), pour avoir au final 70 suggestions de films similaires.

Si vous avez aimé Haadsaa, vous aimerez sûrement les films similaires suivants :
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Khwab (1980)
, 1h55
Réalisé par Shakti Samanta
Genres Drame
Acteurs Ashok Kumar, Ranjeeta "Robby" Kaur, Naseeruddin Shah, Mithun Chakraborty, Yogeeta Bali Chakraborty, Sujit Dhungana
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Khwab is a Family love story which turns as a suspense thriller in the end. The courtroom scenes in the Climax was well appreciated.
Taj Mahal: An Eternal Love Story!, 2h46
Réalisé par Akbar Khan
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Genres Drame, Biographie, Historique
Thèmes Politique
Acteurs Kabir Bedi, Sonya Jehan, Manisha Koirala, Arbaaz Khan, Pooja Batra, Kim Sharma
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The story begins with Shah Jahan, known as Prince Khurram (Zulfikar Sayed) when he is about 19 years old. Khurram was Emperor Jahangir's (Arbaaz Ali) favourite son, whom Jahangir wanted to be the future Emperor of India, along with his wife Noor Jahan (Pooja Batra), who was well aware of this fact. Noor Jahan was married once previously, but when her first husband died, Jahangir married her. Ladli Begum (Kim Sharma) is Noor Jahan's daughter from her first marriage. Noor Jahan is a shrewd lady, who wants the best for herself and her daughter and she aspires for Ladli Begum to marry Prince Khurram so she that she will become the Empress of the Mughal Dynasty.
Ghulami
Ghulami (1985)
, 3h21
Réalisé par J.P. Dutta
Genres Drame, Action
Acteurs Dharmendra, Mithun Chakraborty, Naseeruddin Shah, Reena Roy, Smita Patil, Kulbhushan Kharbanda
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The film focuses on the caste and feudal system in Rajasthan. Ranjit Singh is the son of a peasant living in a village which is dominated by a rich landlord family. As a teenager studying in the village school, Ranjit is rebellious and defiant. He is bullied by the two sons of the landlord, who are of his own age. Two girls who also study in the same school are sympathetic to Ranjit. These are the daughter of the school-master and the daughter of the rich landlord (sister of the bullies). Sick of the exp;itation he sees around him, Ranjit runs away to the city.
Awam
Awam (1987)
, 2h40
Réalisé par Baldev Raj Chopra
Genres Thriller, Action
Acteurs Rajesh Khanna, Raj Babbar, Ashok Kumar, Shafi Ali Inamdar, Smita Patil, Nana Patekar
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Indian Army Captain Amar Kumar lives with his father, Ram, and mother, Saraswati. Ram has been associated with top freedom fighters during India's struggle for independence from the British. Almost all of these freedom fighters had taken advantage of their involvement and have taken up important positions in India's administration, and these include Jagrathan, and Mohanlal. While others like Vaisakh Ansari and Ram have chosen not to. Amar goes to Delhi and meets Mohanlal, who offers him a position of personal secretary with Jagrathan. Then a chain of events lead to the death of Jagrathan's pilot son, Surender, resulting in Jagrathan threatening to expose the powers that-be unless they come clean and admit their involvement. Then Jagrathan is killed in a vehicle accident. Before dying he asks Dr. Shabnam to hand-over a key to Amar. Before Shabnam could do so, she is attacked by two unknown men, and wounded. Together with Amar and Rafiq Sayed Jaffrey, they locate the key - but do not know where to locate the lock. Then Shabnam is attacked again, but Amar rescues her. Amar's world is turned upside down when he is accused of treason, court-martial-ed, and dishonorably discharged from the army. Disillusioned by this, he decides to join the very forces that are involved in treason. And when he does he finds out that he is not amongst strangers at all.
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, 2h21
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Rohini (Sarika) is an aspiring actor who is caught shop lifting in a hopping complex. Ranjeet (Marc Zuber), who was watching Rohni, comes to her rescue by pretending to be her partner and they both leave the venue together. Rohini tells Ranjeet of her deep hunger to be an actress while struggling to make ends meet. Ranjeet offers to make her an actress as he owns a theater and produces shows, at the same time making advances towards her. Rohini accepts and returns his sexual advances for lead role. Director of an upcoming play berates Rohini who catches the attention of another actor/director Rakesh (Sanjeev Kumar). Rakesh helps Rohini pick the nuances of acting and she turns into a fantastic performer. They fall in love and get married, however a freak stage accident injures Rakesh, who while trying to protect Rohini loses his eyesight. While in hospital Rakesh undergoes therapy to come to terms with his blindness and a nurse Sita (Ranjeeta Kaur) helps him learn to read braille and move around using a stick. Despite his efforts to lead a normal life Rakesh becomes depressed due to his condition and dislikes people taking pity on him, ultimately taking refuge in his wife's love and dedication towards him who has quit theatre to take care of her blind husband.
Mirch Masala, 2h8
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The film is set in Colonial India in the early 1940s. The plot begins with an arrogant subedar (Naseeruddin Shah) (local tax collector in colonial India) and his henchmen rampaging through a village. The subedar has an eye for women and soon spots Sonbai (Smita Patil) on the riverbank. Sonbai is an intelligent, beautiful and strong woman. Her confidence intrigues the subedar.
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The film begins with a group of Harijans migrating to a city pausing for a night. An elderly (Om Puri) starts narrating the story of King Chakrasen.
Albert Pinto Ko Gussa Kyon Ata Hai, 1h50
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The film captures the angst of a worker, in Mumbai exemplified by a young Christian car mechanic, Albert Pinto (Naseeruddin Shah) who is under the illusion that if he works hard and emulates the rich, one day he can also be successful. He makes friendly relations with his customers, who are usually the rich of the city and who keep telling him that good workers do not go on strike. Strikes are the handiwork of lumpen elements. Pinto gets angry with the supposedly wrong attitudes of the workers who he assumes go on strike under any pretext. However, when Pinto's father, who is a mill worker is abused by the lumpen elements hired by the mill owners, he realizes that it is not the workers but the capitalists who should be blamed for the plight of the workers. He also realizes the legitimacy of strikes. Towards the end of the movie, Pinto still remains an angry man; but now his anger is directed against the capitalists, not the striking workers.
Ardh Satya
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, 2h10
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Acteurs Om Puri, Smita Patil, Amrish Puri, Shafi Ali Inamdar, Naseeruddin Shah, Sadashiv Amarapurkar
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The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship.
Mandi
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Thèmes Sexualité, Erotique, Prostitution
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For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.