Ennio Flaiano (5 March 1910 in Pescara – 20 November 1972 in Rome), was an Italian screenwriter, playwright, novelist, journalist and drama critic. Best known for his work with Federico Fellini, Flaiano co-wrote ten screenplays with the Italian director, including La Strada (1954), La Dolce Vita (1960), and 8½.

Biographie

Flaiano wrote for Cineillustrato, Oggi, Il Mondo, Il Corriere della Sera and other prominent Italian newspapers and magazines.

In 1947, he won the Strega Prize for his novel, Tempo di uccidere (The Short Cut). Set in Ethiopia during the Italian invasion (1935–36), the novel tells the story of an Italian officer who accidentally kills an Ethiopian woman and is ravaged by the awareness of his act. The barren landscape around the protagonist hints at an interior emptiness and meaninglessness. This is one of the few Italian literary works dealing with the misdeeds of Italian colonialism in Eastern Africa. The novel has been constantly in print for sixty years. A movie adaptation with the same title, directed by Giuliano Montaldo and starred by Nicolas Cage, was released in 1989.

In 1971 Flaiano suffered a first heart-attack. "All will have to change", he wrote in his notes. He put his many papers in order and published them, although the major part of his memoirs were published posthumously. In November 1972 he began writing various autobiographical pieces for Corriere della Sera.

On November 20 of the same year, while at a clinic for a check-up, he suffered a second cardiac arrest and died. His daughter Lelè, after a long illness, died at age 40 in 1992. His wife Rosetta Rota, sister of composer Nino Rota, and aunt of the mathematician Giancarlo Rota, died at the end of 2003. The entire family is buried together at the Maccarese Cemetery, near Rome.


Flaiano's Rome
Flaiano's name is indissolubly tied to Rome, a city he loved and hated, as he was a caustic witness to its urban evolutions and debacles, its vices and its virtues. In La Solitudine del Satiro, Flaiano left numerous passages relating to his Rome.

In the Montesacro quarter of Rome, the LABit theatre company placed a commemorative plaque on the facade of his house where he lived from 1952.

Critic Richard Eder wrote in Newsday: "To read the late Ennio Flaiano is to imagine a bust of Ovid or Martial, placed in a piazza in Rome and smiling above a traffic jam. In his antic, melancholy irony, Flaiano wrote as if he were time itself, satirizing the present moment.

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